| ACADEMIC YEAR | NAME | GRADUATION | DEPARTMENT | RESEARCH PROJECT |
|---|---|---|---|---|
| 2025–2026 | Ahmad Abu Ahmad | N/A | Comparative Literature | The Poetics and Politics of Death in Palestinian Literature and Film |
| 2025–2026 | Andrew Clark | N/A | French and Francophone Studies | Unlived Experience in the French Novel, 1830–1997 |
| 2025–2026 | Max Foley-Keene | N/A | Political Science | An Eco-Socialist-Civic Virtue: Democracy, Ethics, and Ecological Emancipation |
| 2025–2026 | Celia Stern | N/A | Religious Studies | Ritual and the Politics of Failure |
| 2024–2025 | Arnav Adhikari | N/A | English | Amorphous Empires: Literature, Media, and Politics in Cold War South Asia |
| 2024–2025 | Lee Gilboa | N/A | Music | Listening for More: A Study of Heardness |
| 2024–2025 | Nomaan Hasan | N/A | Anthropology | Experiments in Collective Selfhood on the Last Days of Democracy |
| 2024–2025 | Amanda Macedo Macedo | N/A | Theatre Arts and Performance Studies | Unraveling Resistance: Aesthetic Interventions in the Face of Imperial Violence |
| 2024–2025 | Katharina Weygold | N/A | American Studies | African American Women and Haiti from the U.S. Occupation to the Duvalier Regime, 1915–1986 |
| 2023–2024 | Devon Clifton | N/A | English | Psychoanalytics: Towards a Black Object Study |
| 2023–2024 | Brianna Eaton | N/A | Africana Studies | Everywhere Black Folks Went: Examining Transnational Diasporic Dialogues in Media |
| 2023–2024 | Itamar Levin | N/A | Classics | Cenotaphs and the Politics of Commemoration: Civic Ideology in the Greek Polis |
| 2023–2024 | Goutam Piduri | N/A | English | Owning Renunciation: Studies in the Authority of Non-possession |
| 2022–2023 | Sam Coren | N/A | American Studies | Watershed Metropolis: A Partial History of the Providence River and Its Lifeworlds |
| 2022–2023 | Marah Nagelhout | N/A | English | Critique of Extractive Reason: Time and the Environmental Antiblackness of Racial Capital |
| 2022–2023 | Ayantu Israel-Megerssa | N/A | Political Science | Impossible Objects: Democratic Pessimism and a Politics of Contamination |
| 2022–2023 | Kiran Saili | 2024 | English | Identification After Disillusionment: The “Minor” Idioms of Diasporic Life |
| 2021–2022 | Lubabah Chowdhury | 2023 | English | Caribbean Women’s Writing and Afro-Asian Intimacies, 1948–2001 |
| 2021–2022 | Christina Gilligan | 2023 | English | Readerly Identification in the Realist Novel from Austen to Hardy |
| 2021–2022 | Irina Kalinka | 2023 | Modern Culture and Media | User Democracy: A Political Theory of Digital Logics |
| 2021–2022 | Baoli Yang | N/A | Comparative Literature | The Literary Strata of Imperial Borders: Sinoscript Literature and its Encounters in the Tang Era |
| 2020–2021 | Tanvir Ahmed | 2021 | Religious Studies | Radical Shadows of God: Popular Resistance in Persianate Islam, 1200–1550 C.E. |
| 2020–2021 | Gregory Hitch | 2022 | American Studies | The Forest Keepers: An Environmental History of the Menominee Nation from Colonization to Climate Change |
| 2020–2021 | Allison Pappas | 2024 | History of Art and Architecture | “Considered only in its ultimate nature”: Photography between Object and Idea |
| 2020–2021 | Kelly Nguyen Sutherland | 2021 | Classics | Vercingetorix in Vietnam: Classical Reception in French Colonial and Postcolonial Vietnamese Communities |
| 2019–2020 | Claire Grandy | 2021 | English | Documentary Poetry and the Photographic Record from Wordsworth to Lewis |
| 2019–2020 | Dennis Hogan | 2022 | Comparative Literature | La Reina de dos mundos: Crisis and Creation in the Central American Transit Zones, 1848–1914 |
| 2019–2020 | Brigitte Stepanov | 2020 | French Studies | In-Human: Visions of Cruelty in 20th- and 21st-Century French and Francophone Texts |
| 2018–2019 | Daniel Byrne | 2024 | English | Untimely Form: Late Modernism and the Persistence of Aesthetic Autonomy |
| 2018–2019 | Michael Gastiger | 2021 | English | Model Cities: American Literature and the Urban Design Imagination, 1890–1980 |
| 2018–2019 | Morris Karp | 2021 | Italian Studies | “A Time of Actual Genius”: Leopardi Interprets the Renaissance |
| 2018–2019 | Anna Thomas | 2020 | English | Forms of Rearrangement: Habit, Injury, and Mourning in African American and Caribbean Literature |
| 2017–2018 | Rajeev Kadambi | 2019 | Political Science | Pathologies of Cosmopolitan Radicalism: M.N. Roy on Politics and Ethics |
| 2017–2018 | Lakshmi Padmanabhan | 2018 | Modern Culture and Media | The Impassive Image |
| 2017–2018 | Michelle Rada | 2024 | English | There is No Textual Relation: Sex, Reading, and the Surface of Form |
| 2017–2018 | Noga Rotem | 2021 | Political Science | “Full of Fear and Full of Resistance:” Rahel Levin Varnhagen, Daniel Paul Schreber, and the Politics of Paranoia |
| 2016–2017 | Wuming Chang | 2017 | Italian Studies | Virgil as Horatian Discretio in the Commedia |
| 2016–2017 | Ferris Lupino | 2020 | Political Science | Ralph Ellison and the Democratic Use of Sacrifice |
| 2016–2017 | Megan McBride | 2017 | Religious Studies | On ISIS, or the Islamic State |
| 2016–2017 | Frances Tanzer | 2019 | History | Re-Imagining Vienna in the Aftermath of Genocide: Cultural Reconstruction and Representations of Jewish Absence |
| 2015–2016 | Benjamin Brand | 2016 | German Studies | Cherry Trees on the Highest Towers: Johann Peter Hebel’s In-Difference Towards the Opposition of Nature and Man’s Cultural Mandate |
| 2015–2016 | Nicholas Friesner | 2017 | Religious Studies | Emerson’s “Religion” Problem |
| 2015–2016 | David Hollingshead | 2018 | English | Charles Chesnutt, the Rise of Negligence, and Nonhuman Liability |
| 2015–2016 | Patrick McKelvey | 2017 | Theatre Arts and Performance Studies | Ron Whyte’s Prosthetic Disemployment |
| 2015–2016 | Apollonya Porcelli | 2020 | Sociology | Towards a Sociology of Climate Precarity: An Ethnography of Expertise in Peru’s Anchovy Fishery |
| 2014–2015 | (Anna) Fannie Bialek | 2015 | Religious Studies | A Vulnerability and Asymmetry in Feminist Power Critique |
| 2014–2015 | Karida Brown | 2016 | Sociology | Turning the Screw of Interpretation on the Archive |
| 2014–2015 | Anja Jovic | 2015 | Comparative Literature | Black and Balkan: A Comparison of Caribbean, African, African-American, and Balkan History, Theory, and Art |
| 2014–2015 | Sara Matthiesen | 2016 | American Studies | Fertile Ground: Alternative to Abortion and Maternal Health |
| 2014–2015 | Yana Stainova | 2016 | Anthropology | A Sonorous Silence: The Polyphonous Politics of Classical Music in Venezuela |
| 2013–2014 | Nicolas Bommarito | 2014 | Philosophy | Virtuous and Vicious Anger |
| 2013–2014 | Meghan Kallman | 2016 | Sociology | Bureaucratized Morality: Institutionally-Mediated Idealism in the Peace Corps |
| 2013–2014 | Sean Keck | 2015 | English | Literary Regionalism and Mark Twain’s Telephone |
| 2013–2014 | Coleman Nye | 2014 | Theatre Arts and Performance Studies | Biological Properties: Gene Patenting and the Theatrical Laws of Nature |
| 2012–2013 | Andrea Allgood | 2014 | Religious Studies | Some Reflections on Exile, Homeland, and Purity in the Hebrew Bible |
| 2012–2013 | Jeffrey Neilson | 2014 | English | Yusef Komunyakaa at the Jazz Workshop |
| 2012–2013 | Jacob Richman | 2013 | Music | The (Unfinished) Ballad of Adam and Elena Emery |
| 2012–2013 | Steven Swarbrick | 2016 | English | Milton and the Movement-Image: A Natural |
| 2011–2012 | Sohini Kar | 2013 | Anthropology | The Reluctant Moneylender: Microfinance Loan Officers and the Ethical Risk of Commercialized Debt |
| 2011–2012 | Aniruddha Maitra | 2013 | Modern Culture and Media | Why Fanon Was Never “Black Lacan,” but Lacanian Before Lacan: Race as Language in Black Skin White Masks |
| 2011–2012 | Clint (Michael Clinton) Bruce | 2013 | French Studies | The Atlantic, Obliquely: Eugène Sue’s Atar-Gull, a 19th-Century Novel of the Sea, Slavery, and Transoceanic Revenge |
| 2011–2012 | Chiwook Won | 2013 | Philosophy | Making Sense of Ourselves |
| 2010–2011 | Pauline de Tholozany | 2011 | French Studies | Clumsy and Clumsier: la maladresse from Rousseau to Jean-Jacques |
| 2010–2011 | Thomas Devaney | 2011 | History | Knights, Magi, and Muslims: Miguel Lucas de Iranzo and the People of Jaén |
| 2010–2011 | Jonathan Gentry | 2015 | History | The Nietzschean Politics of Musical Modernism |
| 2010–2011 | Malgorzata Rymska-Pawlowska | 2012 | American Civilization | Logics of Preservation and Reenactment: Historicity in the 1970s |
| 2009–2010 | Sophia Beal | 2010 | Portuguese and Brazilian Studies | Brazil under Construction: Literature, Public Works, and Progress |
| 2009–2010 | David Bering-Porter | 2011 | Modern Culture and Media | Undead: On Vital Indices and the Uncanny Life of Media |
| 2009–2010 | Kevin Patton | 2011 | Music | The Performance and Orchestration of Gestural Computer Music Instruments |
| 2009–2010 | Oded Rabinovitch | 2011 | History | Viry, or the Perraults in the Countryside: Literary Sociability and Textual Representation in the 17th Century |
| 2008–2009 | Kelley Kreitz | 2009 | Comparative Literature | Painting Modern Life, or the Burden of Journalism |
| 2008–2009 | Sarah Moran | 2010 | History of Art and Architecture | The Vita of Anna van Schriek: Gender, Print Culture, and Teresian Spirituality in 17th-Century Flanders |
| 2008–2009 | Kathryn Rhine | 2009 | Anthropology | Support Groups, Marriage, and the Management of Ambiguity among HIV-Positive Women in Northern Nigeria |
| 2008–2009 | Sarah Wald | 2009 | American Civilization | Remapping Imperial Geographics and Reclaiming National Identities in Bulosan’s America Is in the Heart and Galarza’s Strangers in Our Fields |
| 2007–2008 | Pannill Camp | 2008 | Theatre, Speech and Dance | Le Premier Cadre: Theatre Architecture and Objects of Knowledge in 18th-Century France |
| 2007–2008 | Robert Newcomb | 2008 | Portuguese and Brazilian Studies | Counterposing Nossa and Nuestra América |
| 2007–2008 | Emily Steinlight | 2010 | English | Mass Man and the Future of the Social in 19th-Century Literature |
| 2007–2008 | Amy Vegari | 2008 | Comparative Literature | Violence, Immediately: Representation and Materiality in 20th-Century Literature, Film, and Theory |
| 2006–2007 | Jessica Barr | 2007 | Comparative Literature | In the Absence of Authority: Satirizing the Visionary Tradition in Chaucer's House of Fame |
| 2006–2007 | Christine Evans | 2008 | Theatre, Speech and Dance | The Library in the Desert of the Real |
Cogut Institute for the Humanities