ACADEMIC YEAR |
NAME |
GRADUATION |
DEPARTMENT |
RESEARCH PROJECT |
2024-2025 |
Arnav Adhikari |
N/A | English | Amorphous Empires: Literature, Media, and Politics in Cold War South Asia |
2024-2025 | Lee Gilboa | N/A | Music | Listening for More: A Study of Heardness |
2024-2025 | Nomaan Hasan | N/A | Anthropology | Experiments in Collective Selfhood on the Last Days of Democracy |
2024-2025 | Amanda Macedo Macedo | N/A | Theatre Arts and Performance Studies | Unraveling Resistance: Aesthetic Interventions in the Face of Imperial Violence |
2024-2025 | Katharina Weygold | N/A | American Studies | African American Women and Haiti from the U.S. Occupation to the Duvalier Regime, 1915 - 1986 |
2023-2024 | Devon Clifton | N/A | English | Psychoanalytics: Towards a Black Object Study |
2023-2024 | Brianna Eaton | N/A | Africana Studies | Everywhere Black Folks Went: Examining Transnational Diasporic Dialogues in Media |
2023-2024 | Itamar Levin | N/A | Classics | Cenotaphs and the Politics of Commemoration: Civic Ideology in the Greek Polis |
2023-2024 | Goutam Piduri | N/A | English | Owning Renunciation: Studies in the Authority of Non-possession |
2022-2023 |
Sam Coren |
N/A |
American Studies |
Watershed Metropolis: A Partial History of the Providence River and Its Lifeworlds |
2022-2023 |
Marah Nagelhout |
N/A |
English |
Critique of Extractive Reason: Time and the Environmental Antiblackness of Racial Capital |
2022-2023 |
Ayantu Israel-Megerssa |
N/A |
Political Science |
Impossible Objects: Democratic Pessimism and a Politics of Contamination |
2022-2023 |
Kiran Saili |
N/A |
English |
Identification After Disillusionment: The ‘Minor’ Idioms of Diasporic Life |
2021-2022 |
Lubabah Chowdhury |
N/A |
English |
Caribbean Women's Writing and Afro-Asian Intimacies, 1948-2001 |
2021-2022 |
Christina Gilligan |
N/A |
English |
Readerly Identification in the Realist Novel from Austen to Hardy |
2021-2022 |
Irina Kalinka |
N/A |
Modern Culture and Media |
User Democracy: A Political Theory of Digital Logics |
2021-2022 |
Baoli Yang |
N/A |
Comparative Literature |
The Literary Strata of Imperial Borders: Sinoscript Literature and its Encounters in the Tang Era |
2020-2021 |
Tanvir Ahmed |
2021 |
Religious Studies |
Radical Shadows of God: Popular Resistance in Persianate Islam, 1200-1550 C.E. |
2020-2021 |
Gregory Hitch |
N/A |
American Studies |
The Forest Keepers: An Environmental History of the Menominee Nation from Colonization to Climate Change |
2020-2021 |
Allison Pappas |
N/A |
History of Art and Architecture |
'Considered only in its ultimate nature': Photography between Object and Idea |
2020-2021 |
Kelly Nguyen Sutherland |
2021 |
Classics |
Vercingetorix in Vietnam: Classical Reception in French Colonial and Postcolonial Vietnamese Communities |
2019-2020 |
Claire Grandy |
2021 |
English |
Documentary Poetry and the Photographic Record from Wordsworth to Lewis |
2019-2020 |
Dennis Hogan |
N/A |
Comparative Literature |
La Reina de dos mundos: Crisis and Creation in the Central American Transit Zones, 1848–1914 |
2019-2020 |
Brigitte Stepanov |
2020 |
French Studies |
In-Human: Visions of Cruelty in 20th- and 21st-Century French and Francophone Texts |
2018–2019 |
Daniel Byrne |
N/A |
English |
Untimely Form: Late Modernism and the Persistence of Aesthetic Autonomy |
2018–2019 |
Michael Gastiger |
2021 |
English |
Model Cities: American Literature and the Urban Design Imagination, 1890–1980 |
2018–2019 |
Morris Karp |
2021 |
Italian Studies |
"A Time of Actual Genius": Leopardi Interprets the Renaissance |
2018–2019 |
Anna Thomas |
2020 |
English |
Forms of Rearrangement: Habit, Injury, and Mourning in African American and Caribbean Literature |
2017–2018 |
Rajeev Kadambi |
2019 |
Political Science |
Pathologies of Cosmopolitan Radicalism: M. N. Roy on Politics and Ethics |
2017–2018 |
Lakshmi Padmanabhan |
2018 |
Modern Culture and Media |
The Impassive Image |
2017–2018 |
Michelle Rada |
N/A |
English |
There is No Textual Relation: Sex, Reading, and the Surface of Form |
2017–2018 |
Noga Rotem |
2021 |
Political Science |
"Full of Fear and Full of Resistance:" Rahel Levin Varnhagen, Daniel Paul Schreber, and the Politics of Paranoia |
2016–2017 |
Wuming Chang |
2017 |
Italian Studies |
Virgil as Horatian Discretio in the Commedia |
2016–2017 |
Ferris Lupino |
2020 |
Political Science |
Ralph Ellison and the Democratic Use of Sacrifice |
2016–2017 |
Megan McBride |
2017 |
Religious Studies |
On ISIS, or the Islamic State |
2016–2017 |
Frances Tanzer |
2019 |
History |
Re-Imagining Vienna in the Aftermath of Genocide: Cultural Reconstruction and Representations of Jewish Absence |
2015–2016 |
Benjamin Brand |
2016 |
German Studies |
Cherry Trees on the Highest Towers: Johann Peter Hebel's In-Difference Towards the Opposition of Nature and Man's Cultural Mandate |
2015–2016 |
Nicholas Friesner |
2017 |
Religious Studies |
Emerson's "Religion" Problem |
2015–2016 |
David Hollingshead |
2018 |
English |
Charles Chesnutt, the Rise of Negligence, and Nonhuman Liability |
2015–2016 |
Patrick McKelvey |
2017 |
Theatre Arts and Performance Studies |
Ron Whyte's Prosthetic Disemployment |
2015–2016 |
Apollonya Porcelli |
2020 |
Sociology |
Towards a Sociology of Climate Precarity: An Ethnography of Expertise in Peru's Anchovy Fishery |
2014–2015 |
(Anna) Fannie Bialek |
2015 |
Religious Studies |
A Vulnerability and Asymmetry in Feminist Power Critique |
2014–2015 |
Karida Brown |
2016 |
Sociology |
Turning the Screw of Interpretation on the Archive |
2014–2015 |
Anja Jovic |
2015 |
Comparative Literature |
Black and Balkan: A Comparison of Caribbean, African, African-American, and Balkan History, Theory, and Art |
2014–2015 |
Sara Matthiesen |
2016 |
American Studies |
Fertile Ground: Alternative to Abortion and Maternal Health |
2014–2015 |
Yana Stainova |
2016 |
Anthropology |
A Sonorous Silence: The Polyphonous Politics of Classical Music in Venezuela |
2013–2014 |
Nicolas Bommarito |
2014 |
Philosophy |
Virtuous and Vicious Anger |
2013–2014 |
Meghan Kallman |
2016 |
Sociology |
Bureaucratized Morality: Institutionally-Mediated Idealism in the Peace Corps |
2013–2014 |
Sean Keck |
2015 |
English |
Literary Regionalism and Mark Twain's Telephone |
2013–2014 |
Coleman Nye |
2014 |
Theatre Arts and Performance Studies |
Biological Properties: Gene Patenting and the Theatrical Laws of Nature |
2012–2013 |
Andrea Allgood |
2014 |
Religious Studies |
Some Reflections on Exile, Homeland, and Purity in the Hebrew Bible |
2012–2013 |
Jeffrey Neilson |
2014 |
English |
Yusef Komunyakaa at the Jazz Workshop |
2012–2013 |
Jacob Richman |
2013 |
Music |
The (Unfinished) Ballad of Adam and Elena Emery |
2012–2013 |
Steven Swarbrick |
2016 |
English |
Milton and the Movement-Image: A Natural |
2011–2012 |
Sohini Kar |
2013 |
Anthropology |
The Reluctant Moneylender: Microfinance Loan Officers and the Ethical Risk of Commercialized Debt |
2011–2012 |
Aniruddha Maitra |
2013 |
Modern Culture and Media |
Why Fanon was Never "Black Lacan," but Lacanian before Lacan: Race as Language in Black Skin White Masks |
2011–2012 |
Clint (Michael Clinton) Bruce |
2013 |
French Studies |
The Atlantic, Obliquely: Eugène Sue's Atar-Gull, a 19th-Century Novel of the Sea, Slavery, and Transoceanic Revenge |
2011–2012 |
Chiwook Won |
2013 |
Philosophy |
Making Sense of Ourselves |
2010–2011 |
Pauline de Tholozany |
2011 |
French Studies |
Clumsy and Clumsier: la maladresse from Rousseau to Jean-Jacques |
2010–2011 |
Thomas Devaney |
2011 |
History |
Knights, Magi, and Muslims: Miguel Lucas de Iranzo and the People of Jaén |
2010–2011 |
Jonathan Gentry |
2015 |
History |
The Nietzschean Politics of Musical Modernism |
2010–2011 |
Malgorzata Rymska-Pawlowska |
2012 |
American Civilization |
Logics of Preservation and Reenactment: Historicity in the 1970s |
2009–2010 |
Sophia Beal |
2010 |
Portuguese and Brazilian Studies |
Brazil under Construction: Literature, Public Works, and Progress |
2009–2010 |
David Bering-Porter |
2011 |
Modern Culture and Media |
Undead: On Vital Indices and the Uncanny Life of Media |
2009–2010 |
Kevin Patton |
2011 |
Music |
The Performance and Orchestration of Gestural Computer Music Instruments |
2009–2010 |
Oded Rabinovitch |
2011 |
History |
Viry, or the Perraults in the Countryside: Literary Sociability and Textual Representation in the 17th Century |
2008–2009 |
Kelley Kreitz |
2009 |
Comparative Literature |
Painting Modern Life, or the Burden of Journalism |
2008–2009 |
Sarah Moran |
2010 |
History of Art and Architecture |
The Vita of Anna van Schriek: Gender, Print Culture, and Teresian Spirituality in 17th-Century Flanders |
2008–2009 |
Kathryn Rhine |
2009 |
Anthropology |
Support Groups, Marriage, and the Management of Ambiguity among HIV-Positive Women in Northern Nigeria |
2008–2009 |
Sarah Wald |
2009 |
American Civilization |
Remapping Imperial Geographics and Reclaiming National Identities in Bulosan's America is in the Heart and Galarza's Strangers in Our Fields |
2007–2008 |
Pannill Camp |
2008 |
Theatre, Speech and Dance |
Le Premier Cadre: Theatre Architecture and Objects of Knowledge in 18th-Century France |
2007–2008 |
Robert Newcomb |
2008 |
Portuguese and Brazilian Studies |
Counterposing Nossa and Nuestra América |
2007–2008 |
Emily Steinlight |
2010 |
English |
Mass Man and the Future of the Social in 19th-Century Literature |
2007–2008 |
Amy Vegari |
2008 |
Comparative Literature |
Violence, Immediately: Representation and Materiality in 20th-Century Literature, Film, and Theory |
2006–2007 |
Jessica Barr |
2007 |
Comparative Literature |
In the Absence of Authority: Satirizing the Visionary Tradition in Chaucer's House of Fame |
2006–2007 |
Christine Evans |
2008 |
Theatre, Speech and Dance |
The Library in the Desert of the Real |
Cogut Institute for the Humanities