Cogut Institute for the Humanities

Models-Scale-Context: AI and the Humanities

Exploring the modes of thinking, being, and doing that have shaped AI and could shape its possible futures

From 2024 to 2027, this collaborative humanities lab explores three basic terms of everyday and scientific discourse, highlighting assumptions and frameworks through which AI is imagined and implemented. Questioning what these terms mean across disciplines and technological practices is an invitation to explore the modes of thinking, being, and doing that have shaped AI and could shape its possible futures.

Led by Holly Case, Professor of History and Humanities, and Suresh Venkatasubramanian, Professor of Data Science and Computer Science and Humanities and Interim Director of Data Science.

About the Lab

The lab brings to the fore modes of thinking and methods within the various humanities disciplines and how these have prefigured and shaped AI, often unintentionally, but with wide-ranging implications. New thinking in the humanities will need to take account of these imbrications and be brought into conversation with parallel debates in the sciences around the ethics and politics of unintended consequences.

In exploring these themes, the lab will seek to wed theory and practice to facilitate research in the humanities and AI and give researchers the time and resources to study this fast-moving field. As the symbolist poet Paul Valéry wrote in 1894, “the problems of composition and those of analysis are reciprocal.” It is impossible to separate technical skills and practical applications of AI from the critical thinking and ethical frameworks utilized by humanities researchers for humanistic and humanistic social science questions.

“ Our goal is for the lab to operate flexibly and inclusively so as to enhance exchanges within an already vibrant community of faculty and doctoral students at Brown and to catalyze important new research on AI. ”

Holly Case and Suresh Venkatasubramanian

Upcoming Events

Past Events

Banner image: Still from “Pixillation” by Lillian F. Schwartz, 1970, from the collections of the Henry Ford.