| ACADEMIC YEAR | NAME | CLASS | CONCENTRATION | RESEARCH PROJECT |
|---|---|---|---|---|
| 2025–2026 | Camille Blanco | 2026 | Classics History of Art and Architecture | Caesar and the Gauls: Mapping Roman Provincial Identity through the Funerary Monuments of Roman Gaul, 50 BCE to 486 CE |
| 2025–2026 | Martina Herman | 2026 | Comparative Literature Literary Arts | Choreographies of Power: Dance, Policing, and Political Agency across the Post-Modern Tradition |
| 2025–2026 | Aubrie Miller | 2026 | Comparative Literature English History of Art and Architecture | “I will be free … in words”: Viewing Gender through a Bibliographic Lens in Shakespeare’s Plays |
| 2025–2026 | Indigo Mudbhary | 2026 | Ethnic Studies History | Unsettling the Remote/Mobile Binary in Nepal |
| 2025–2026 | Talia Sherman | 2026 | English Linguistics | The Work of Language: Political, Productive, and Paradoxical Operations |
| 2024–2025 | Kayleigh Danowski | 2025 | History of Art and Architecture Psychology | Domestic Labor and Artistic Pursuits: Finding Female Agency in the Early 20th Century United States |
| 2024–2025 | Eric Gottlieb | 2025 | History Egyptology Applied Mathematics | Egyptian Christianization from the Manichaean Perspective: Evidence from Medinet Madi, 300-599 CE |
| 2024–2025 | Daniel Newgarden | 2025 | Archaeology and the Ancient World (Egyptian and Near Eastern Archaeology Track) Egyptology and Assyriology (Assyriology Track) | (Re)Constructing the Past: Archaeophilia and Dynastic Aggrandizement in Late Hellenistic North Syria |
| 2024–2025 | Samuel Schwartz | 2025 | History Slavic Studies Literary Arts | Nikolai Bukharin: The Worm Which Sickens the Rose |
| 2024–2025 | Amir Tamaddon | 2025 | History | Political Theology of “Authenticity”: Messianic Self-Craft and Identity-Formation in Revolutionary Iranian Thought |
| 2023–2024 | Maru Attwood | 2024 | History | Through the Fence: An Environmental History of Nsikazi, South Africa |
| 2023–2024 | Lucia Kan-Sperling | 2024 | Modern Culture and Media English | Reading Digitally: Technology, Language, and the Poetics of Digital Subjectivity |
| 2023–2024 | James Langan | 2024 | Comparative Literature Anthropology | Rereading Modernity: Specters of Cannibalism in the Caribbean Avant-Garde |
| 2023–2024 | Andrew Lu | 2024 | Literature History of Art and Architecture | Devouring Stone: Rethinking the Monstrous in Romanesque Monastic Sculpture |
| 2023–2024 | Grace Xiao | 2024 | History of Art and Architecture | (Dis)location, Diaspora, and the Camera Image: Contemporary Women Artists of the South Asian Diaspora |
| 2022–2023 | Alexander Avila | 2023 | Sociology | Legitimate and Illegitimate Resistance in Pandemic Times |
| 2022–2023 | Mia Barzilay Freund | 2023 | English | A Recovered Canon: Tracing a Lineage of Women’s Literary Invention from Aphra Behn to Jane Austen |
| 2022–2023 | Chong Jing Gan | 2023 | Comparative Literature | Islands in Migration: Singaporean (Trans)national Identity in Diasporic Literature |
| 2022–2023 | Ren L[i]u | 2023 | Ethnic Studies Science, Technology, and Society | Towards Crip-of-Color Transsexual Erotics: Trans, Disabled Poetics as Technologies of Understanding Third World Othering and Belonging |
| 2022–2023 | Catherine Nelli | 2023 | Comparative Literature International and Public Affairs | Investigating Indology: Divergences between Colonial French and English and Contemporary Sanskrit Reception of Classical Indian Texts |
| 2021–2022 | Kaitlan Bui | 2022 | English East Asian Studies | (Re-)Imagination: The Shaping of Memory in Postwar Vietnamese Diasporic Literatures & Communities |
| 2021–2022 | Yara Doumani | 2022 | History Environmental Studies | “Let this be a WARNing”: Pan-Tribal and Transnational Indigenous Women’s Activisms, 1970s–1980s |
| 2021–2022 | Jane Freiman | 2022 | American Studies Comparative Literature | Vagrant Desires and Dangerous Disguises: New York’s Anti-Mask Law |
| 2021–2022 | Connor Jenkins | 2022 | History Africana Studies | “Fear gave speed to our steps”: Slavery’s Hauntings and the Long Lives of Plantation Geographies in Edenton, North Carolina from 1850 to 1880 |
| 2021–2022 | Diego Rodriguez | 2022 | IC Philosophical Inquiry Through Creative Forms Neuroscience | Between the Poetic Languages of Matos Paoli and Rita Indiana: Remembrance and Insanity as Political Philosophy for the Caribbean |
| 2020–2021 | Amanda Brynn | 2021 | Archaeology and the Ancient World Egyptology Modern Culture and Media | Pornography and Plunder: Colonialism, Sexuality, and the British Museum’s “Secret Museum” |
| 2020–2021 | Marysol Fernandez | 2021 | Comparative Literature Economics | Translation: A Politics of Exchange |
| 2020–2021 | Matthew Marciello | 2021 | American Studies Gender and Sexuality Studies | Not Biologically Male, Not Biologically Female: The Intersex Rights Fight Against Intersex Genital Surgery, 1960s–Present |
| 2020–2021 | Karis Ryu | 2021 | History and East Asian Studies | A Way of Life: Remembering the U.S. Army Garrison Yongsan of the Cold War |
| 2020–2021 | Nicole Yow Wei | 2021 | History | Knowing about Knowing: Nineteenth-Century Colonial Libraries of the Straits Settlements |
| 2019–2020 | Zarah Asghar | 2020 | Behavioral Decision Sciences Middle East Studies | Dialogue under Humanitarian Governance: The Creation of Water and Sanitation Networks in Zaatari |
| 2019–2020 | Aliosha Bielenberg | 2020 | Archaeology and the Ancient World Independent Concentration in Critical Thought and Global Social Inquiry | Postcolonialism, Pragmatism, and the Khoi-San of South Africa |
| 2019–2020 | Isaac Leong | 2020 | History | Contested Justice: Law and Ritual in Postwar Singapore |
| 2019–2020 | Tabitha Payne | 2020 | Development Studies | The Khmer Queer and Incarceration: LGBT People and Prisons in Phnom Penh, Cambodia |
| 2018–2019 | Makedah Hughes | 2019 | Comparative Literature | Black Francophone Identity: dans la vie et dans les livres |
| 2018 (Fall) | Victoria Huynh | 2019 | Ethnic Studies | Roots of Resilience: Vietnamese community gardening in Camden, NJ |
| 2018–2019 | Asey Koh | 2019 | English | Narratives of Liminality: Queerness and Monstrosity |
| 2018–2019 | Ryan Miller | 2019 | History of Art and Architecture | Engaging Urban Space: Public Art as Spatial Inquiry and Intervention |
| 2018–2019 | Kyle Tildon | 2019 | Africana Studies | Black Diversity in Education: The Results of Nationality and Ethnicity on Black Experiences in Academia |
| 2017–2018 | Iván Hofman | 2019 | History Comparative Literature | Rethinking the Modern Self: Critical Conversations |
| 2017–2018 | Grace Monk | 2018 | Classics Comparative Literature | Memorias del Territorio, Graffiti and Public Space, Alberto Fuguet, Popular Perception of Classics |
| 2017–2018 | Edward Tie | 2018 | Science and Technology Studies Program in Liberal Medical Education | Recollecting the American Carceral State: Queer Cultural Memory and the Testimonies of Gay Pulp Fiction |
| 2017 (Fall) | Shannon Frampton | 2018 | Africana Studies | Exploring the Permeance of Blackness in Today’s China |
| 2016–2017 | Victor Bramble | 2016 | Modern Culture and Media | |
| 2016–2017 | Ximena Carranza Risco | 2017 | Environmental Studies | Settling for Disaster: The Construction and Governance of Climate-related Urban Vulnerability in Lima’s Informal Settlements |
| 2016–2017 | Noah Fields | 2017 | Literary Arts | |
| 2016–2017 | Dolma Ombadykow | 2017 | Medical Humanities | Exploring the Medical Encounter: Systemic Inequality and Conceptions of Chronicity through Language |
| 2016–2017 | Joseph Zappa | 2017 | French Studies | |
| 2015–2016 | Grant Meyer | 2016 | Modern Culture and Media | |
| 2015–2016 | Aanchal Saraf | 2016 | Geography | |
| 2015–2016 | Maya Sorabjee | 2016 | History of Art and Architecture | |
| 2015 (Fall) | Margaret Livingstone | 2016 | American Studies Urban Studies | |
| 2014–2015 | Leila Blatt | 2015 | Africana Studies | |
| 2014–2015 | Patricia Ekpo | 2015 | Gender and Sexuality American Studies | |
| 2014–2015 | Alexander Jusdanis | 2015 | Music | |
| 2014–2015 | Bartosz Zerebecki | 2015 | Postcolonial Studies | |
| 2013–2014 | David Adler | 2014 | Development Studies Economics | |
| 2013–2014 | David Borgonjon | 2014 | English | |
| 2013–2014 | Valeria Fantozzi | 2014 | Development Studies Architectural Studies | |
| 2013–2014 | Saudi Garcia | 2014 | Anthropology | |
| 2012–2013 | Berit Goetz | 2013 | Music Comparative Literature | |
| 2012–2013 | Peter Johnson | 2013 | Egyptology & Ancient Western Asian Studies | |
| 2012–2013 | Zack Mezera | 2013 | Religious Studies Public Policy | |
| 2012–2013 | Catharine Savage | 2013 | History | |
| 2011–2012 | Elizabeth Caldwell | 2012 | History | |
| 2011–2012 | Gabriella Ferrari | 2012 | Classics Slavic Studies | |
| 2011–2012 | Juan Ruiz-Toro | 2012 | History | |
| 2011–2012 | Sabrina Skau | 2012 | Anthropology | |
| 2010–2011 | Benjamin Hyman | 2011 | Comparative Literature International Relations | |
| 2010–2011 | Dylan Nelson | 2011 | Music Multimedia and Electronic Music Experiments (MEME) | |
| 2010–2011 | Isabel Parkes | 2011 | German Studies Hispanic Studies | |
| 2010–2011 | Janet Zong | 2011 | English International Relations |